Audio White Noise: Going to go “Tasmania 2”-iac on your ass!!!

The cover to the “Tasmania 2” LP

Well here it comes, are you ready for another bad acid trip for your ears? A lethal hot needle in the veins? Ready to go tripping through black poppy fields? Then look no further than the much awaited sequel (check out the first volume compilation here: YOUR WELCOME) from the land down under, “Tasmania 2”, put out on 2 LP’s with a booklet of trippy art by the notorious and now probably defunct, Overuse Records in 2018, this features various bands and noise projects, some with the label owner’s different projects. If you have a short attention span, or your ADD like I am you won’t get bored, in this volume like the first you get raw black metal, blackened punk, blackened noise, dark wave and bubbling, oozing noise but without further ado here we go, the first track “Pixelated Waves” is by Colour Sensory, it is a blackened noise slap that at first has blown out sound then calming drones and lilting keyboards drifting in and out of the track, the second track is “Closure” by “Leather Temple”, crackling static and ear piercing feed back populate this track for the fetish leather set.

Page 1, featuring art for the Colour Sensory and Leather Temple tracks.

 Next up is the tracks by Fixation, “Pounding”, and “I Can’t Make It Stop” two blackened punk hardcore stomps that will melt your face and step on your toes until their a bloody mess, next up can you smell “The Scent of Masculinity”? Because I don’t want to, this track by Claudia has a simple, warm drone with pulsating sound and soft drum machine keeping rhythm.

Page 2 featuring art for the Fixation and Claudia tracks.
Page 3 featuring art for the Carved Cross and Dysassociation tracks.

Carved Cross breaks that vibe on their track “Washed Away in the Passage of Time and Regret” with slow, evil, plodding, raw black metal and shrieking in agony vocals, next up you have Dysassociation with the tracks “Interlude”, “Head in the Clouds” and “Interlude 2”, blown out dark wave with haunting, wind chime synths.

Page 4 featuring art for the Night Falls Haunting tracks.

Night Falls Haunting has three tracks “Rest of the Lonely”, “Ancient Rites”, and “Tradition Dies Slowly” the band goes in a different direction with their music on this comp, its hard to describe, their first track is what I’d call “acoustic black metal”, the second track has a incessant drum machine beat, a scratchy repeated riff, hoarse vocals and a strumming acoustic guitar that occasionally comes in, and on the third track there is another repeated scratchy riff with chanting flute in back with the gruff shouted vocals.

Page 5 featuring art for the tracks by Isolationist and Leather Temple.

Isolationist comes on with their twisted power electronics track “Knowledge Control” wailing distorted synths, harsh, electrocuting ripples and banging noise agony with shouted, echoing vocals, once again Leather Temple comes with its sonic whips and chains to torture you audio wise with “The Blurred Lines Between Sex and Death”.

Page 6 featuring art for the tracks by Gaunt and Plague Whore.

Next up Gaunt comes on with some blown out, droning dark wave track with “A.E.” a call back to suicidal, minimal wave, goth 1980’s style, Plague Whore warps your ears with blackened noise filth and black metal vocals run through a static filter with their two tracks of audio horror “Invocation/Apparition” and “Glory to the Mother of Sex” which includes Hindu chants with its wailing noise.

Page 7 featuring art for the tracks by Carved Cross and Claudia.

Carved Cross mourns life with its minimal, primitive slow plodding black metal track “All Debris Return Home to Rest”, and last but definitely not least Claudia closes the compilation with his pulsing, calm and bubbling ambient track “No Sign of Weakness”.

So if you want to find this slab of white noise your gonna have to go here:

To assault your ears now go here:



White Noise Eardrum Buster: There is only one, “Dwarr-Holy One” (2000)

Picking one song from Black Sabbath’s “Paranoid” album, that song being “Planet Caravan”, and stretching it across a whole album takes brass balls and Dwarr has them alright.

This album is way different from anything I have heard, this was Dwarr’s comeback album after years of being away from the music scene. I probably should’ve reviewed this one first and not his next album “Times of Terror”. The “Holy One” and “Times of Terror” are hard to find, his first two, “Starting Over” and “Animals” are easier to find but now that the mighty Dwarr has his own web site up you can order CDs, T shirts and bandannas. Dwarr is a musical genius, a one man band, on his records he plays every instrument. This album is different from all of his other output which is pretty crazy and different doom metal. This album is hard to classify, like I said its as if he took the song “Planet Caravan” by Black Sabbath and put it in a blender with Hawkwind. Boom! You got “Holy One”.

“Holy One” is full of Dwarr’s genius insanity, weird time changes and signatures all over the place, sax and flute solos, and wailing synths. Christian lyrics dominate this album, along with Dwarr making his vocals less Ozzy and more like a wavering vapor ghost. This has got a more space rock/psychedelic/experimental metal feel to it, with Dwarr you can always expect “genre” to be turned on it’s head. He does “Doom Metal” his way and as you will hear on this album.

Don’t let the Christian lyrics turn you off if you aren’t religious, the lyrics actually add to the strange atmosphere of the music and if you dismiss this stuff because of the religious bent you are missing out. So drop by Dwarr’s web site and drop some wampum on him. He is a true original.

To pick up the album get it here:

  To preview listen go here:


White Noise Eardrum Buster: “Times of Terror” (2003) will rain down upon your head!!!

“Outsider metal”. When you see that word you think “weird”, “crazy”, or some “lone lunatic who thinks he/she is a genius and nobody else thinks or plays like them”. At least that is what comes to my mind when I think of “Outsider Metal”, none personifies that more than the South Carolina madman, Dwarr, or Duane Warr whose been churning out “one man band” metal since the early 1980’s, most of it in the doom/psychedelic metal vein but you haven’t heard doom metal like this, guitar solos flying out of nowhere, drums all over the place, vocals drifting in and out, sometimes vapor like, sometimes howling Ozzy like, Dwarr’s music has to be heard to be believed. The story is no different on his 2003 release “Times of Terror”. 

Not only does he play all the instruments, he painted the crazy cover, the Chimera from Revelation chasing a guy who looks like my uncle who likes to golf and bowl on the weekends. So if you aren’t aware of Dwarr I should give a little background on this guy. His first couple of albums “Starting Over” (1985) and “Animals” (1986) are underground/outsider metal classics. The first album is more psychedelic metal, imagine a album full of songs that are slow, druggy, dreamy and bizarre. The story goes that he “borrowed” instruments from the local high school, horns included to do this album and he played all the instruments.  “Animals” is straight up Sabbath worship played with Dwarr’s signature style, guitar all over the place, syncopated rhythms and Ozzy vocal wailing, the title track was based upon a dream he had of man animal things attacking him. There was a rumor that he thought demons were speaking to him through his records that he burned them all. He said that that was false that he only burned some. For awhile he gave up music because he thought it was a devil’s game, he came back to it later, way later as in 2000 with the album “Holy One”. Which I will review sometime.

The white noise I am reviewing now is the next album after “Holy One” which is the “Times of Terror”. I’ve got to warn you, the lyrics are religious and pro Christian but if that turns you off from the insane weirdness, vibe and timings in this album I don’t know what to tell you, I’d say your really missing out. Dwarr has got his own vision of what music is and what religion is, this monster is something I can listen to on repeat. Its just so damn bizarre. While the Ozzy worship in the vocals is apparent, the playing and how the instruments interact with each other are all over the place. The first track “Times of Terror” is a 30 minute, doom metal epic with manipulated vocals divided into different parts “Trumpets” (has synthesized trumpets), “Times of Terror”, “Traps and Pits”, “Angry Waves”, “Evil World”, “Die Like Flies”, “Days of Death”, and “America” has lyrics like “America, land of the free, what have you done with your father’s faith” with a strange whiny synth line between the crazy out of control solos, thick bass and drums, the songs “Harmony” and “Tears You Cry” feature a flute. Dwarr doesn’t give a fuck, he plays music the way he likes.

While I had the first two “classic” albums I had a hell of a time finding “Holy One” and “Times of Terror” so I searched for his name on google. I saw a real estate agent by the name of Duane Warr in South Carolina, I wondered if this was the same guy. I shrugged and e mailed his AOL account (didn’t even know AOL existed anymore). I got a response almost instantly, yep, it was THE Duane Warr, he was selling houses and he said that his wife was setting up a web site that would sell shirts, CD’s and bandanna’s and that it should be ready soon and to be patient with it. He was a completely cool dude, I would check to see if his web site was up once in awhile for the longest time it wasn’t, I figured maybe it would never be up. Then I got a e mail from Duane who told me the site was up I went instantly over there and got a shirt, and the two CD’s I’d been looking for. Duanne e mailed me again and told me I forgot to choose the T shirt size. I already could tell this guy was fucking cool. So yeah, if you like your music weird, insane, different, crazy etc. Dwarr has got it all in spades, and he does have a message, that religious message makes his music even more weird and unique. Do yourself a favor and go buy something from him, he might record another album (cross fingers):

To listen preview the album (buy the fucking thing) go to:


White Noise Eardrum Buster: “Incredibly Strange Metal” that stopped living and became mixed up music.

I like any band or group that goes out of their way to find the upper limits of white noise and push music across boundary lines, people who break the “sound barrier” so to speak. Granted some of the results aren’t the greatest but I like people who take risks with little skill and in the process birth into existence something twisted, original and new. When it comes to metal I love the experimental end of the spectrum, the weirder and more twisted the better, bands like Mr. Bungle and John Zorn’s Naked City make my day, I approve of any band that tries something different in their genre. This comp documents that music. Granted some of this stuff isn’t “metal” but more “hard rock”, but these were bands who tried to sound a certain way but ended up putting their personal stamp on the sound. Foreign bands in particular, especially the ones behind the Iron Curtain during the Cold War, only heard Western music via pirate radio and renegade European and American military radio signals and then interpreted that sound their way behind closed doors for fear of being arrested by the secret police.

From what I have gathered from the now defunct “Obscuro” blog,  this was compiled by “The Corroseum” blog which is still around, a company in Europe, “Lust Fungus”, put this out in 2002 on CD R. The cover apes the book and CD covers of the “Incredibly Strange Music” series put out by the “RE/Search” crew. Boy did they unearth some white noise, weirdness track number one features the Russian band Oblachnyi Kraj with “Sazhaj Korneplody Uyrschlvag Luk!” A stomping, psychedelic metal number with ripping guitars and swirling keyboards and shouted lyrics, your off to a rip roarin’ start, like a batch of bad acid. The next two tracks are by the elusive Damien Storm,  “Frakenstein’s Castle of Sorcery” starts with what sounds like a Halloween sound effects record playing in back, out of tune guitars and Damien trying to hit Dio vocal highs but cracking, “Realms of Destiny” follows the same formula, I get the impression the guy plays all the instruments on his albums like the awesome Dwarr. Tracks Quadro and Cinco are done by a Nepali hard rock band called The Crisis based out of Katmandu, and boy do they wear their foreign influences on their sleeve, both tracks “Kolahal Ma” and “Maya Boki Aau” carry strange tunings and timings, very exotic sounding, wish I could find the full length album, it isn’t anywhere for sale, even on discogs.  The next two are done by Belgian hard rock band Kuster and boy oh boy, I was rolling on the ground laughing hard when these two tracks hit my ears, “All A Live” and “Love A Bit”, this is a band attempting to sound like 1980’s era Ozzy Osbourne, but they lack the skill and come out sounding like Black Flag era “Slip It In”, that is not a bad thing either, the singer is completely out of time and tone deaf, I love this fucking band, their full length is a god damn ripper, more hardcore punk with a metallic edge even though they call themselves “hard rock”. Next up is a one man band (HELL TO THE FUCKING YES!) Exmortes who attempts to sound evil and mysterious as the first wave of black and death metal bands of those days, again the guy doesn’t have the skill, all he seems to do is repeat lines of lyrics, he doesn’t even sing, and it sounds like he is reciting the lyrics through his pillow while the same see sawing riff plays in the back with a drum machine, it has to be heard to be believed, both songs “Forced to Be Silent” and “Creed of the Eternal” are mishap masterpieces, I searched out and found all of his output which really isn’t that much. Everybody hates Exmortes, I am not one of them. Next up on the list is Drakar with “Tunelem Zp├ítky” the cascading, snarling riff gets stuck in your head, the singer isn’t in tune with the riff and the vocals are manipulated, another good oddity out of the Czech Republic. Following that is Morsure, with the song “No Moral” that features shouted punk French vocals again out of sync with the rest of the music over thrash guitars, bass and a blast beat drum machine, the band’s full length “Acceleration Process” is pretty awesome, the same craziness with some songs having a Motorhead vibe to them. A comp of bizarre, left field metal wouldn’t be complete without the Italian doom band Black Hole and their song “Blind Men and Occult Forces” slow and plodding metal with a whining synth organ in back and vocals trying to hit highs but not succeeding, find their full length “Realms of Mystery” with crayon created cover, lovely weirdness all over. The Runaways, yes the same all girl proto glam punk band featuring Joan Jett and Lita Ford, try to do a metal song called “S-P-E-E-D M-E-T-A-L”, the song is anything but speed metal, its a hard rock number that isn’t fast and leans more towards the punk side of things, but since its The Runaways its a must listen. Who’s next? The Russian band Legion with the jaw dropping “Hold On” the song starts as a straight ahead death metal tune then descends in to female jazz singing, swinging jazz bass and guitar, the type of song you’d hear in a sleazy and smoky lounge in Las Vegas, I love this fucking tune, this is sure to piss off a lot of Death Metal purists, who cares, fuck em’. And then we charge straight ahead into Torn Flesh with their self titled track, a religious thrash band whose singer sounds like he is gurgling marbles and a “clean” singer shouting about Jesus dying on the cross, the guitars and drums are all over the place. A must listen, just like their follow up track “Gay Rights?!” Complete with lyrics like “Its Adam and Eve, not Adam and Steve”, the same marble vocals and a annoying and snarling riff with shouted background vocals, then a barking dog getting hit with a shoe. Yep you heard that right, God damn or should I say “Gosh damn”. Next up to bat is the Czech lunatic Svaty Vincent with “Krucifix”.  Svaty is another unique individual that has his own vision of what music should be, in this case its experimental black metal, riffs, bass, guitar and synth going in all directions while he shouts in Czech like a demonic maniac, I have posted his hard to find live self titled debut album here

A kid’s metal band? Is that what you want? Hell yeah! Give me my “Transformers” sippy cup. This band is Secret Metal with “The Cop”, so apparently in the late 1980’s in Sweden a youth group decided to have their members record a comp album with New Wave, Punk and Metal tunes, that album is “Girls and Boys Helge 87” which I will get around to posting about one of these days, “The Cop” is a track off that album. Siren and shooting sound effects, out of tune guitars, drums that fall down stairs and kids singing about running from the police and getting shot, tracks like these make comp albums like these a must have. Want more on your plate? Then you got “Lester Maddox” with “Egypt (The Chains Are Off)” this song is a slow plodder with a exotic Egyptian riff that picks your brain and says “Remember Me” and you will, truly “Strange Metal” and genre fucking at its best. Want dessert? A burned, tough to eat dessert? Here come the South Americans Parabellum with “Madre Muerte” is black metal, out of tune brutality, primitive, mean, nasty, this last track is a mess… a beautiful mess, what a way to go out with a nuclear bomb. BOOOOOM!!! So what the fuck are you waiting for? Do you need anymore urging? Give this son of a bitch a listen, noise addicts, you’ll be glad you did.

The people at the defunct “Obscuro” blog put out two more of their own “Incredibly Strange Metal” comps where the links are dead. I might do those also in the future.


White Noise Eardrum Buster: Their sick their twisted and they hate…emos. “Fuckemos-Lifestyles of the Drugged and Homeless” 1995 CD

Fucked up, modulated vocals. Check. Stupid, creepy, juvenile lyrics. Check. Cheesy synths. Check. Trombone solos. Check. Fat druggy metal chords. Check. Violins. Check. INSANITY. uh, check. All packed in a cardboard stock case with booklet full of retro porn and the band members in Gestapo get ups, you know your in for a offensive, rippin’ n’ roarin’ good time.


Huge fan of this band and I am planning on doing a review of all of their other albums. Of course I like bands that are weird and demented, it is one of my biggest criteria for checking out a band. The Fuckemos are from Austin, Texas the same breeding ground that spawned the Dicks, the awesome Butthole Surfers, Roky Erickson etc. The band started with the moniker “Warthog 2001UK” after a security guard pissed off the one of the founders of the band, Russell Porter, at a club called Emos, he changed the band name to “Fuckemos” of course this name was prophetic since everybody fucking hates emos.

2nd Cover panel

San Francisco poster artist, Frank Kozik, became interested and signed them to his record label, “Man’s Ruin Records” and released their first album. Their follow up, which I am posting up here, was put out on another poster artist, Lidnsay Kuhn’s record label “No Lie Records”. Why I am posting this is because this the CD version, the new downloadable and vinyl versions differ I will get into that later. I got into this band by listening to their first album, it both blew my mind and made me laugh hard. The pitch shifted, tone deaf vocals, the silly trombone solos, the cheesy Casio keyboard tones, offensive lyrics, and fat guitar chords made me want to find out more. Which lead me to try to find this album.

Back Cover

Finding this was a pain in the ass, this was years ago when Fuckemos hadn’t put up their bandcamp page and there was no plans to release this. Every time I’d travel I’d go to the local used music shops to find this thing, couldn’t find it anywhere until I asked a guy at a record store in Portland if he had this anywhere. He had it in back, I was overjoyed and as soon as I got in my car I put it on. The music washed over me like stale beer and bad pot. “AMEN!!!” I yelled. Another needle found in the haystack.

The CD came in a plastic sleeve with a cardboard stock fold out cover pictures of which I posted, when unfolding it you have to be careful because the CD will pop out, it isn’t a CD R, its a actual, manufactured CD, the booklet is printing stock which I am also posting. The new vinyl and download versions don’t have the cool cover tunes on them probably due to copy right issues which is a damn shame because their fucking hilarious and well done.

The first song “Ed the Creep” is about  one of the founders of the band, Ed Rancourt, the first track is full sludge metal chords and “the down in the dumps pitch shifted” vocals their famous for. “Hurtin” features pop punk chord progressions and a silly trombone floating through it. “Lingerie Dreams” is a song built on a steady drum beat and piping synth set to creepy lyrics. “Tokyo” I know for a fact is cover, I’ve heard this one before somewhere, maybe I am wrong, but this song is straight ahead metal and so are the lyrics, pedal to the fucking metal, this is one track I put on repeat.

“Ready to Drop” is a stoned out, grooved out song about getting a chick pregnant (at least I think it is) those pitch shifted vocals. HA! HA! HA! They make the fucking song. The band takes on Abba’s “Dancin’ Queen” stoner metal style, they make the song pathetic and depressing as opposed to being upbeat and poppy. “Be Nice Don’t Be Mean” is a song about the band being mean to the venues that host them and the fans that show up to their shows, this one has me in stitches every time I hear it, the vocals, the keyboard and the trombone are the only instruments on this track. “Sometimes we make the sound guy mad, sometimes that makes us really sad.” It is a mournful tune that is done in a different style and faster on the self titled follow up, I like the version on this CD better.

“Pro Choice (Life is Murder)” would be a Weezer song if the lead singer had pitch shifted vocals and sang about wanting people dead. “Vietnambla” is thick chord metal stomp in your face about…the underage, if you haven’t figured that out yet by the title I can’t help you. “Mexico” is mournful and dusty dirge, thick and slow chords, slow drums pattering and a crying violin, I love this song and I can get deep into it, one of the reasons I love this band, these guys are geniuses.

“Speedo” is a scum metal screed about gay clubs that only let men in who wear speedos. The lyrics are offensive, juvenile and stupid… in other words good. “Print Your Own Damn Album Covers” is a song consisting of screaming, no vocals, grunting and a galloping, sludgy metal breakdown, I guess this is the way the lead singer felt when he went to Kinkos and asked if they would print the covers for him and they told him no, he’d have to do it himself. “Toby the Neuter” is song about a person born without sex organs that starts with  trombone, squealing guitar and synth then degenerates into metal punk sludge insanity. “Wet My Beddy Boo Boo” goes straight into hair metal guitar territory with the lyrics consisting of a tough guy talking about how bad ass he is and then…talking about wetting his bed. “Love is Like Oxygen” is a cover song from classic glam band Sweet, with a wailing synth behind slow dirgy chords, love this cover, too bad none of these are on the newer releases. “Pretty Flowers” has a strange wailing and thin guitar backing it which gives the song a hypnotic quality, that hypnosis is snapped by the weird lyrics and the tone deaf, modulated vocals. Hell yes. “Fuckemos Smoke Cigarettes” is a song made up of cut up, weird electronic sounds and pieces of the other songs stitched together, probably meant to be a song for the ravers of 1995…if retards held raves. “Lucifer” is a song consisting of not only the vocals but the guitars being fed through a manipulator that sounds as if bees are buzzing around your ears, the song is played slow, it is a creepy stoner metal song, the “creepy” that will make you laugh, like those kids who try to dress up creepy and edgy but end up looking goofy. “Bela Lugosi’s Dead” is a cover of the infamous song by deathrock giants, Bauhaus, played faster and with thicker chords, despite this they keep the creepy vibe going. We end with “Three Wine Colors” a live recording by the sound of it, a straight ahead punk song without pitch shifted vocals, my least favorite song. Over all, this is one you should search out, especially the Fuckemos fanatics out there. The vinyl and download releases don’t have the covers and leave out some tracks. I’ll leave links to them but be warned.

To listen to the whole 1995 CD go here:

A couple of copies of the 1995 CD from overseas on discogs:

Fuckemos bandcamp page with the album minus cover songs, except for “Bela Lugosi’s Dead”:

Get LP without cover and other tracks:

Audio white noise to batter your ears and scatter your brains. Go out, go forth, and get fucked by the Fuckemos.