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Audio White Noise: Going to go “Tasmania 2”-iac on your ass!!!

The cover to the “Tasmania 2” LP

Well here it comes, are you ready for another bad acid trip for your ears? A lethal hot needle in the veins? Ready to go tripping through black poppy fields? Then look no further than the much awaited sequel (check out the first volume compilation here: https://www.noisepuncher.net/2021/11/07/the-wild-noise-land-of-tasmania-1-lets-go-down-there/ YOUR WELCOME) from the land down under, “Tasmania 2”, put out on 2 LP’s with a booklet of trippy art by the notorious and now probably defunct, Overuse Records in 2018, this features various bands and noise projects, some with the label owner’s different projects. If you have a short attention span, or your ADD like I am you won’t get bored, in this volume like the first you get raw black metal, blackened punk, blackened noise, dark wave and bubbling, oozing noise but without further ado here we go, the first track “Pixelated Waves” is by Colour Sensory, it is a blackened noise slap that at first has blown out sound then calming drones and lilting keyboards drifting in and out of the track, the second track is “Closure” by “Leather Temple”, crackling static and ear piercing feed back populate this track for the fetish leather set.

Page 1, featuring art for the Colour Sensory and Leather Temple tracks.

 Next up is the tracks by Fixation, “Pounding”, and “I Can’t Make It Stop” two blackened punk hardcore stomps that will melt your face and step on your toes until their a bloody mess, next up can you smell “The Scent of Masculinity”? Because I don’t want to, this track by Claudia has a simple, warm drone with pulsating sound and soft drum machine keeping rhythm.

Page 2 featuring art for the Fixation and Claudia tracks.
Page 3 featuring art for the Carved Cross and Dysassociation tracks.

Carved Cross breaks that vibe on their track “Washed Away in the Passage of Time and Regret” with slow, evil, plodding, raw black metal and shrieking in agony vocals, next up you have Dysassociation with the tracks “Interlude”, “Head in the Clouds” and “Interlude 2”, blown out dark wave with haunting, wind chime synths.

Page 4 featuring art for the Night Falls Haunting tracks.

Night Falls Haunting has three tracks “Rest of the Lonely”, “Ancient Rites”, and “Tradition Dies Slowly” the band goes in a different direction with their music on this comp, its hard to describe, their first track is what I’d call “acoustic black metal”, the second track has a incessant drum machine beat, a scratchy repeated riff, hoarse vocals and a strumming acoustic guitar that occasionally comes in, and on the third track there is another repeated scratchy riff with chanting flute in back with the gruff shouted vocals.

Page 5 featuring art for the tracks by Isolationist and Leather Temple.

Isolationist comes on with their twisted power electronics track “Knowledge Control” wailing distorted synths, harsh, electrocuting ripples and banging noise agony with shouted, echoing vocals, once again Leather Temple comes with its sonic whips and chains to torture you audio wise with “The Blurred Lines Between Sex and Death”.

Page 6 featuring art for the tracks by Gaunt and Plague Whore.

Next up Gaunt comes on with some blown out, droning dark wave track with “A.E.” a call back to suicidal, minimal wave, goth 1980’s style, Plague Whore warps your ears with blackened noise filth and black metal vocals run through a static filter with their two tracks of audio horror “Invocation/Apparition” and “Glory to the Mother of Sex” which includes Hindu chants with its wailing noise.

Page 7 featuring art for the tracks by Carved Cross and Claudia.

Carved Cross mourns life with its minimal, primitive slow plodding black metal track “All Debris Return Home to Rest”, and last but definitely not least Claudia closes the compilation with his pulsing, calm and bubbling ambient track “No Sign of Weakness”.

So if you want to find this slab of white noise your gonna have to go here: https://www.discogs.com/release/11672994-Various-Tasmania-II

To assault your ears now go here: https://www.bitchute.com/video/pKZiWeJHAxI3/

 

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White Noise Eardrum Buster: The wild noise land of “Tasmania 1”, lets go down there…

A lot of compilations are hit and miss, sometimes there is a lot more misses than hits and those are the ones I won’t review on this blog. The ones I do review are the ones that have more hits than misses or in “Tasmania 1″s case, almost every track hits like a mack truck.

 

 

 

I found this on a now defunct blog and it was way up my alley, according to discogs it originally came housed in a box with two tapes with an A5 booklet with art for each artist. This was put out by Overuse records, which was founded by Tasmanian based Matthew Nicholls in 2015 and most if not all the acts on the comp are his own bands. That being said, each band and act has its own personal stamp and this comp fucking kills. So without further, ado start digging to the land down under.

The first track is an synth ambient piece with rumbling lows, its soft and calm but bludgeons you at the same time, it is by the act Dysassociation called “Endless Low”. Most people going into this compilation will think this is a noise comp, nope. The first track puts you at ease, wailing and sighing synths give way to…Snarling feedback laden blackened punk by Fixation with two tracks of mean hardcore with “Crippled Over” and “Falling Down”. Both tracks rip and go for the throat, these two tracks hate your fucking guts.

Next up you get blackened noise from the act Blackline, two tracks laden with black metal tinged filth, “Famine” and “Disease” and that is what it will sound like in your ears. Then Carved Cross comes in with their raw, lo fi rumbling black metal, screeching in agony with “Forced Self Deprivation”.

Another blowout ambient piece with crackling and searing textures comes to singe your ears courtesy of Colour Sensory with the track “Waves of Diffraction”.

Now time to get down, and I mean really really down, with the audio heroin of Gaunt, with the tracks “Music Isn’t Fun” and “Something Numb”, this is pretty much down in the dumps, volume blown out darkwave with vocals that are moaning and sound like they were recorded in a coffin. You want to get depressed listening to these two tracks complete with wailing synths. Then you get Leather Temple with “Dark Street Corner”, their piece dark ambient laced with low rumbles and screeching feedback, not for the faint of heart. Like a shot of adrenaline, Parvo comes in with the track “Teenage Kicks” and it will kick you right in the face, straight up no frills, lo fi punk, is what Parvo is about and there is nothing wrong with that!

Next up is the minimalist, lo fi black metal band, Night Falls Haunting with the tracks “Prelude” and “Fear Haunts Me”, “Prelude” is a slow, plodding, echoing and scratchy track that sets the mood for whats ahead, which is “Fear Haunts Me” which is sluggish and like walking through a cold dark forest in winter complete with screechy vocals. Night Falls Haunting has no pretense it is just straight ahead, depressing, old school style black metal.

The last two tracks on “Tasmania 1” are the noise act Claudia with “Faggot’s Spit” which has a crackling sound to it and what sounds like samples lifted from a she male porn flick, sometimes the sample sounds like the participants are wailing in pain, fun fun fun.  Last, but definitely not least, is Fetish Ritual with “M.B.” power electronics done old school like Whitehouse. Spoken word, snarling in fury at child molesters with swirling screeches and static in the background, “Tasmania 1” nails the coffin shut and now you’ll suffocate.

So in closing if you can find this version of the compilation snap it up quickly, to my knowledge there was another version minus the A5 booklet and box set. I have volume 2 and will review that in the future along with some other Overuse releases. In my opinion the art in the booklet helps supplement the music, this is a must have for fans of extreme and on the fringes music.

No copies of the boxed edition of “Tasmania 1” but there is a copy of the no frills release on discogs whoever is interested might want to snap this up: https://www.discogs.com/release/16273038-Various-Tasmania-I

Here is Overuse’s defunct blog, there seems to be no new entries since last year but it still gives some info on their releases: https://overuse.blogspot.com/

If you throw up your hands in defeat and want to make your own depressive noise go here and listen to it in it’s entirety: https://www.bitchute.com/video/Tr5M2tqGgrAt/

Here is a volume 2 you can listen to it and check out my run down of it here: https://www.noisepuncher.net/2022/02/20/audio-white-noise-going-to-go-tasmania-2-iac-on-your-ass/

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White Noise Eardrum Buster: The Bloody “Baphometic Dawn/Unexamine-Against the World, Against Life” (2018) Full Tape

Awww whats that lovely sound? The sound of literal white noise, an explosion of screeching, whips, discordant guitars, drums like a machine gun and filthy dirty bass all bathed in the filth of Power Electronics. Its enough for the songs to get stuck in ones head and whistle them all day as a atomic red sun melts in the sky and blood bathes the street while people choke on their on guts. That sound is “Baphometic Dawn/Unexamine” the former being a raw black metal band that mixes noise into their “sound and the latter being a blackened filth noise artist, they decide to take these two things and mash them up into a lo fi orchestra of pain in “Against the World, Against Life”.

My favorite genre of music right now is avant garde/experimental black/death metal, the more weird it is the better. I like every genre of metal (except for “Nu Metal”), every genre of rock (except for “Soft Rock”) and every genre of noise. I’ve listened to so many genres and so many bands, its almost like how the tolerance for a drug a junkie takes goes up and the junkie has to take more to get a high, that is the same thing with me and music, I’ve heard it all and it needs to get weirder and weirder for me to find something different, new and exciting in it. The problem with a lot of avant garde/experimental metal bands is too many of them want to be Faith No More or Mr. Bungle but I’ve got news for bands like Ten Foot Ninja and Dog Fashion Disco, you aren’t Faith No More and/or Mr. Bungle. The black and death metal experimentalists don’t have that draw back, I especially love when bands will mix different genres that aren’t metal into their music but it can’t be forced and it has to be done right.  With the “Baphometic Dawn/Unexamine” tape the noise and raw black metal meld their genres into one, beautiful, dark, disgusting sound.

You pretty much get a pro orange tape which surprised me when I got the tape because the fold out was your typical low budget black metal xeroxed black and white cover art, normally with a release like that you get a recorded tape. On discogs it says that this release was limited to 50 copies but my “Baphometic Dawn/Unexamine” tape fold out says 45 out of 80. I got this bad boy off of Analog Worship, this is one site I can’t recommend enough if your a death/black/noise type music on vinyl and tape. Get this one if your into filthy blackened noise.

No physical copies left, but you can filthy up your ears here: https://www.bitchute.com/video/I7oyHS4KL9St/