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White Noise Eardrum Buster: Have a “Techno Viking” Raid!

In my mind, when I see the two words “Techno” and “Viking” put together, it doesn’t seem right, “Techno” to me is wimpy and pathetic, “Viking” is strong, virile and mean. I was that kid in the 1990’s who hated techno as a genre for the most part, barring a few songs here and there, I was the kid that liked metal, noise rock, punk and noise genres as a whole and the only reason why I would go to raves was to pick up chicks on Ecstasy and score some mind altering substances, other than that I hated the techno hipsters with their brightly colored clothing and jewelry. Me and my friends would make fun of them, overall I thought it was pretentious music for pretentious people, which is the reason why I had some trepidation picking “Techno Viking”, even if it was on the ASKE (Anti Social Kultur England) label, but my trepidation were put to rest, this was a whole tape of twisted Techno, the twisted part put the “Viking” in the music.

Techno Viking xeroxed tape art and track listing.

The tape came with xeroxed art with the title of the tape, “Techno Viking” on top and bottom, the ASKE records symbol on one side and the track listing on the other side. Again seeing the art I figured that the tape would be a cheap, recorded one, nope, it was a white pro tape limited to 40 copies,  I have copy 16.

Techno Viking white pro tape.

So here is my track by track break down of “Techno Viking”, the first track is “War” and it starts with a sample from the movie “Fight Club” with chanting in back and then bongos mixed into the track. The second track  “Discipline” has synthesized beat and effects and “Discipline” chanted over over, the beat gets faster and faster and the “Discipline” chant gets higher in pitch like chipmunks, the third track is “Pub Fight”, this track has a wailing synth line with a weird electronic beat over samples of people fighting in a club. The fourth track is “Life on the Streets” which features a sample of a journalist interviewing a drug lord played with an incessant beat over the interview. The fifth track is “Destroy Rework” which features a beat with a distorted synth over it. The sixth track “Debt Rework” has a distorted synth over a galloping bass line and beat, the sixth track is “Ogard Runir Remix” the track is pretty much pagan chanting over a repeated electric drum beat, distorted bass with a high, whiny synth line, and the seventh and last track which is my favorite is “Abyss” which is low, pitch shifted spoken word over synth lines and drones. Overall, this is techno I don’t mind too much, still not a big fan, not enough happens in the “techno” genre of music. “Techno Viking” techno done “ASKE” style is techno done right.

To get raided by the “Techno Viking” go here: https://www.bitchute.com/video/qjMfif6km9tD/

Sorry no more Viking booty anywhere.

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White Noise Eardrum Buster: Look at the camera, and “Mona Lisa Smile”!

Mona Lisa Smile tape came wrapped in black plastic bag with black electric tape.

When this tape came I was concerned, the fact that it was wrapped in what looked like a garbage bag with electrical tape made me think the music inside might be garbage. I normally buy tapes if their recommended to me or if the details of what is on the tape interests me, its pretty much a (half) blind buy. I was careful to cut this thing open hoping not to scratch it. After getting the bag and electrical tape off I encountered two A5 sheets with xeroxed art stapled around the tape.

One of the stapled pages of xeroxed art for the Mona Lisa Smile tape.
The other stapled sheet of xeroxed art for the Mona Lisa Smile tape.

After getting the sheets off the “Mona Lisa Smile” tape I was surprised to actually see a white pro tape and not a cheap recorded one.

Mona Lisa Smile white pro tape.

I can’t find any info on it, got the “Mona Lisa Smile” tape off of Analog Worship, and I forget if there was a limited amount of copies, again this was released by ASKE (Anti Social Kultur England) Records. Here is a side by side break down because there really is no single tracks, side A of “Mona Lisa Smile” is just crackling, rhythmic and pulsating drones, almost like what a sonogram sounds like except more deeper sounding, something you can put on in the background that isn’t too distracting if your trying to study, read, or do any work that doesn’t demand distraction, it is even something you can meditate to. Side B of “Mona Lisa Smile” is a little different, it starts with what sounds like church bells, then there is what sounds like a acoustic guitar and organ all washed over with rippling water sounds, near the end of the tape the organ and guitar give way to only the rippling sounds and rhythmic thumping. Side B could be used for background music but it is a little more noisy and complicated. Overall “Mona Lisa Smile” is a tape I will throw on while writing this blog, working on my projects or reading a book. The tape keeps it interesting and it covers my favorite sub genres in the noise genre, dark ambient and drone. You really won’t find “Mona Lisa Smile” anywhere, its not on analog worship or on discogs at all.

So if you want to “Smile” Mona Lisa style you can go here, I gotcha: https://www.bitchute.com/video/Mlo9buTcCXjf/

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Audio White Noise: Going to go “Tasmania 2”-iac on your ass!!!

The cover to the “Tasmania 2” LP

Well here it comes, are you ready for another bad acid trip for your ears? A lethal hot needle in the veins? Ready to go tripping through black poppy fields? Then look no further than the much awaited sequel (check out the first volume compilation here: https://www.noisepuncher.net/2021/11/07/the-wild-noise-land-of-tasmania-1-lets-go-down-there/ YOUR WELCOME) from the land down under, “Tasmania 2”, put out on 2 LP’s with a booklet of trippy art by the notorious and now probably defunct, Overuse Records in 2018, this features various bands and noise projects, some with the label owner’s different projects. If you have a short attention span, or your ADD like I am you won’t get bored, in this volume like the first you get raw black metal, blackened punk, blackened noise, dark wave and bubbling, oozing noise but without further ado here we go, the first track “Pixelated Waves” is by Colour Sensory, it is a blackened noise slap that at first has blown out sound then calming drones and lilting keyboards drifting in and out of the track, the second track is “Closure” by “Leather Temple”, crackling static and ear piercing feed back populate this track for the fetish leather set.

Page 1, featuring art for the Colour Sensory and Leather Temple tracks.

 Next up is the tracks by Fixation, “Pounding”, and “I Can’t Make It Stop” two blackened punk hardcore stomps that will melt your face and step on your toes until their a bloody mess, next up can you smell “The Scent of Masculinity”? Because I don’t want to, this track by Claudia has a simple, warm drone with pulsating sound and soft drum machine keeping rhythm.

Page 2 featuring art for the Fixation and Claudia tracks.
Page 3 featuring art for the Carved Cross and Dysassociation tracks.

Carved Cross breaks that vibe on their track “Washed Away in the Passage of Time and Regret” with slow, evil, plodding, raw black metal and shrieking in agony vocals, next up you have Dysassociation with the tracks “Interlude”, “Head in the Clouds” and “Interlude 2”, blown out dark wave with haunting, wind chime synths.

Page 4 featuring art for the Night Falls Haunting tracks.

Night Falls Haunting has three tracks “Rest of the Lonely”, “Ancient Rites”, and “Tradition Dies Slowly” the band goes in a different direction with their music on this comp, its hard to describe, their first track is what I’d call “acoustic black metal”, the second track has a incessant drum machine beat, a scratchy repeated riff, hoarse vocals and a strumming acoustic guitar that occasionally comes in, and on the third track there is another repeated scratchy riff with chanting flute in back with the gruff shouted vocals.

Page 5 featuring art for the tracks by Isolationist and Leather Temple.

Isolationist comes on with their twisted power electronics track “Knowledge Control” wailing distorted synths, harsh, electrocuting ripples and banging noise agony with shouted, echoing vocals, once again Leather Temple comes with its sonic whips and chains to torture you audio wise with “The Blurred Lines Between Sex and Death”.

Page 6 featuring art for the tracks by Gaunt and Plague Whore.

Next up Gaunt comes on with some blown out, droning dark wave track with “A.E.” a call back to suicidal, minimal wave, goth 1980’s style, Plague Whore warps your ears with blackened noise filth and black metal vocals run through a static filter with their two tracks of audio horror “Invocation/Apparition” and “Glory to the Mother of Sex” which includes Hindu chants with its wailing noise.

Page 7 featuring art for the tracks by Carved Cross and Claudia.

Carved Cross mourns life with its minimal, primitive slow plodding black metal track “All Debris Return Home to Rest”, and last but definitely not least Claudia closes the compilation with his pulsing, calm and bubbling ambient track “No Sign of Weakness”.

So if you want to find this slab of white noise your gonna have to go here: https://www.discogs.com/release/11672994-Various-Tasmania-II

To assault your ears now go here: https://www.bitchute.com/video/pKZiWeJHAxI3/

 

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White Noise Eardrum Buster: “Calling All Covens” come on down for the seance party in the tea room!!!

“Sure to become a solid favorite at after-seance parties and packing the dance floors at spiritualist conventions, this compilation of rank electrified filth brings together a body of work deeply rooted in the murkiest strains of underground noise music”. Couldn’t have said it better, this on the A5 booklet insert on the back, this is creepy seance music that is meant to be played by candle light.

Front cover of A5 booklet for tape.
Page 2 with track listing.

 

This thing was put together by dark ambient group Goat Majesty, the front and back cover were done by Vladimir Vacovsky. What you got here is a who’s who of the blackened noise, dark ambient and drone scene. First off you got ZN with “Ingratitud Y Colera”, a tune with screeching feedback that sounds like a woman is screaming and deep drones that puts you on edge.

Page for ZN track.

Next up is Goat Majesty with their track “Cult Leaders” which comes roaring in like a demon possessed beast, with deep bubbling drones and muffled vocals, this is something that Abruptum in their experimental heyday would’ve done, feedback screech swirls in and out of the song and builds into a cacophony of blinding black noise and synths wailing. A very experimental black metal vibe on this one.  No drugs required for this one kids.

Goat Majesty’s page for their track.

Windy dark ambience haunts Haare’s track “Inside the Black Mirror”, a lighter track, ghostly sounding with a few squeals of feed back here and there, this is like being stranded in a grey wasteland with stagnant pools. There is a kind of weird beauty to it.

Haare’s page for their track.

Fordell Research Unit’s track “Ilm (For Daniel Rutter and Sandy Milroy, Giallo buddies)” starts with light and haunting synths that wail in back of heavy drones, this track combines heavy weight lead and feather light sound, a combo that works in a strange way. A track that could be in a 1980’s dark fantasy film.

Page for Fordell Research Unit’s track. “Kolchak the Night Stalker”.

Vampyre’s track “02 SoV” starts out with squealing feedback then gives way to pulsing and swirling sound. Synths are bent, broken and tortured, the sounds of a violin being ripped apart. This is a rough track like a vampire’s bite and the track will suck you dry. Its dark ambient clouds laced with lightning bolts and a calm pulse.

Page to Vampyre’s track.

 

Black Mountain Transmitter starts their transmission, “Saturn in Retrograde”, with a rough and rolling crash of cymbals, roaring feed back and pulsing drones, all this mixes into a slow, plodding sludge of sound. Kids don’t try this at home. Wailing, bubbling and cascading sound brings to mind cyclopean dark and gray landscapes on some strange Lovecraftian planet.

Black Mountain Transmitters page for their track.

Husere Grav’s “Abandoned Instinct” starts off with a smooth, billowing sound that pulses in and out like a dying light bulb and increases in intensity and sound and then mellowing out on a strange. dark, drone loop. Hypnotic stuff.

Page for Husere Grav’s track.

Aderlating’s track “Eerste Pijniging” starts off with a low throb and crackling sound with echoes. Its as if one is trapped in a dank, haunted dungeon. Soft drones are the order of the day and creaking, howling sounds, make this track very creepy.

Page for Aderlating’s track.

The tape looked like it was professionally done unlike a majority of these limited run noise tapes that look like their recorded onto cheap blank tapes one gets in packs at Walmart here in America and Tesco in Europe. The A5 booklet and tape came in a plastic baggy.

So the question is should you get “Calling All Covens”? If you are a literal noise addict, want something different, if want music you can sacrifice somebody or something to (that was a joke), background for that dark video game you kids play, sound for the background of a role playing table top game etc. Than “Calling All Covens” will be right up your alley.

Back page of A5 booklet.

So if you want to get physical there a few copies left on discogs, (limited to 50 hand numbered copies) good luck: https://www.discogs.com/Various-Calling-All-Covens/release/12414442

If you want it in the background or want to see if you want to join the physical cult but want to start spiritual go here: https://www.bitchute.com/video/zrewAiE9WcK9/

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White Noise Eardrum Buster: Goat Majesty-Death Curse

Tape notes
In your ear!

This is some noise for your ears, addicts. Need your fix? Shoot this right into your ear drum, and you’ll be floating in golden blackness. This tape was put out by A.S.K.E (Anti Social Kultur England), the owner used to have a bandcamp page for all his artist’s releases, now he doesn’t and discogs doesn’t have the latest A.S.K.E releases. I’ve contacted the guy before, he is a very private person and like me doesn’t use giant platforms to promote his artists. That being said Goat Majesty does have a bandcamp page but not with this release on it. I had to get it through Analog Worship. I loved Goat Majesty on a dark ambient comp tape I scored awhile ago. When it comes to the “noise” genre of music my favorite is Dark Ambient, not a big fan of HWN (Harsh Wall of Noise) it sounds all alike to me. This tape is must have for fans of noise, nice dark drones, swirling synths and field recordings. You can listen to it here: https://www.bitchute.com/video/9csRnPTXUOV9/

Support the artist and get the tape here while supplies last:https://www.analogworship.com/item/?id=4101#

Goat Majesty’s bandcamp page buy some of their music there too:https://goatmajesty.bandcamp.com/