White Noise on Paper: Get down in the “Cinema Sewer” and get filthy dirty.

Robin Bougie started “Cinema Sewer” around 1997 in Victoria BC, Canada when he was reading different zines about B and cult movies, zines like Joe Bob Briggs’ zine “Joe Bob Report” and Fred Adelman’s “Critical Condition” and wondering why comics hadn’t been combined with the zine format (their were a lot of cult movie zines out there, the cult and B movie zines for the most part hadn’t incorporated comics into their framework). He came up with the name after writing a column in his buddy’s zine “Poopsheet”, he couldn’t figure out a name for his column so his wife Rebecca came up with “Cinema Sewer” and he thought that described what he wanted to get across. Robin has put this zine out and hasn’t stopped since, and I got to give him props, the guy carries the zine torch. While finding the original and first issues are near impossible, your in luck because Fab Press has put out all of the issues in a series of seven books, with added and/or updated material by the Bougster himself.

While the Bougster does dive into cult films and B movies of yesteryear, his main focus is 1970’s to 1980’s soft core and hardcore porn, see for me I use porn for only one thing and one thing only, as do many people. I don’t want to read treatises and long winded philosophical pieces on something I nut to and put aside. I’ve even tried watching the classic porn, and I’ve had to watch them in pieces because once I come to a certain scene, SPLURT, I am done and its served its use. The Bougster actually goes into depth on these movies and their stories, he interviews actors, actresses, directors, producers etc. involved in that scene. While some of it was interesting I was tempted to turn to the pieces where he or a guest reviewer actually goes in depth about the shitty B movies I love. I’ve only found one porn director, Stephen Sayadian aka “Rinse Dream” who has made interesting, weird and twisted porn like the post apocalyptic “Cafe Flesh”, the surreal “Night Dreams” and the soft core, weird sequel to “The Cabinet of Dr. Caligari” named “Dr. Caligari” which is his best work.

RANT START, IF YOU DON’T WANT TO BE BORED SKIP THIS SECTION TO “RANT OVER”: Too many times the Bougster gets up on a soapbox about porn, the guy is a bug eyed fanatic about it, almost the way I was when I was a younger and hornier guy, he claims on his soapbox that it does no damage whatsoever to society, the people involved in making it etc. Hell, the dude even did a porn mocking religion, but here is the deal, I am no prude, I am not one of these idiots who goes around yelling about how porn destroys everybody and everything, however, he is so biased that he can’t see past his own nose. People in the porn industry seem to die of drug overdose, suicide, violent accident and death in higher proportions than other professions, he’d say “well look at any other commercial business, that all happens in other places” problem is it happens in larger percentages in that industry. In his zine he tries to paint the porn industry as victimless and if a girl or guy goes on to change their life and point out the problems in the industry he gets downright brutal and mean, he tells others to be “non judgmental” while judging those critical of what it seems he is addicted to. Now don’t get me wrong I don’t think porn should be illegal and the Bougster is right, most of these people make the choice to be in this line of business but its also equally as ignorant to ignore all the damaged people that go in and come out of the industry, whether that be through retirement or a body bag. He points out studies that prove porn industry people have a high self esteem but this study was put out by a former porn star, Sharon Mitchell, kind of like the fox guarding the hen house? Sorry about this tangent but it had to get out there. Sure we should have honest discussions about sex and porn but being honest also means looking at the negative and bad of things to which the Bougster seems to not be able to do at all in his zine, he isn’t objective when it comes to the subject. He also does the false equivalency argument that prostitutes and porn stars make when attacked for their profession “Well its no different if your going into work to a job you hate and a boss you hate, your prostituting yourself, no different from what I do”, and its weak, the difference between a Big Box store stocker and a porn star/prostitute is the Big Box store stocker isn’t getting physically fucked in every orifice and having mental qualms and other psychological damage from it, you could argue that the stocker is getting fucked in different ways but that stocker is less likely to kill his/herself, shoot up smack, get beaten up etc. all of which the Bougster would deny but is a fact. I am a bit of a hypocrite I just got on a soap box now push me off. RANT OVER.

But all that is a small quibble, I love the fuck out of “Cinema Sewer” you not only get the Bougster’s musings and scribblings you also get guest artists and reviews. While Bougster mainly covers the retro soft/hardcore porn, he also does a bang up job of covering more of what I am interested in, weird TV shows, twisted B movies and WTF?! Cult Films. He also has a huge collection of one sheets and ad bills for some of these rare grindhouse films which he reprints in “Cinema Sewer”. These books are a treasure trove of info and he turned me on to movies that I have never heard before and dammit, I am glad somebody is actually printing an actual zine you can hold in your hands, its a lost art. I wish the Bougster had continued with the feature of “Comics I’d Like to See Turned into Movies”, I am not sure if has the rights to reprint some comic strips like “Ramba” but damn does it add to the visual flare of the material. While you might agree or disagree with the Bougster’s positions, you need to get down and dirty with “Cinema Sewer”. So open that manhole of your mind and plug your nose its gonna get nastEEEEEEEE!!!!!

To get nasty go here, the Bougster has got a lot of cool stuff up there, the books, his zine and his dirty cartoon zine check em’ out and support him!:


White Noise on Paper: Become a “Brutarian” issues 7 and 8!

The heyday of the zine was the 1980’s to the 1990’s before the massive onslaught of the internet, and blogs, things we take for granted these days. The only way to find like minded individuals who were into the same weird music, movies, comics etc. that you were into was to pick up “Fact Sheet Five” a magazine cataloguing different zines, find like minded individuals through ads put in zines, and word of mouth. These zines were really personal and people put their own style and personal stamps on them. There was zines on all subjects you can think of from stuff as innocent as socks and clothing to alternative music and “snuff films”. The quality and quantity varied depending on how much money the person publishing the zine had, what access to printing equipment they had etc. Some zines were really primitive, some were hand drawn and xeroxed, then there was some that looked like they could’ve been sold in grocery and convenience stores right next to “People” magazine. Some also varied in size from A5 small digest size to giant newspaper size, then there is the magazine size and “Brutarian” was a zine that was as big as a regular sized magazine, the cover and back are slick and in color and the insides are in black and white.

Unfortunately the issue I got didn’t come with the “DeCeased/Brutarian Sampler” and the fact this zine actually had a music sampler is surprising. Most zines can’t afford one tape or CD let alone the printing costs. Right off the bat “Brutarian #7” with its cover done by underground cartoonist Doug Allen pronounces itself, the cover screams “Lo Brow! Stupid! Childish!” Open it up and you’ll soon see that while the contents are what are screamed on the cover, the articles and reviews and they way their written say different. Thumbing through this thing you see that not only are there articles, reviews and interviews, there is underground comics drawn by recognizable names if your into underground comics, Jarret Huddleson being one who did the cover art for the “Garbage” compilation, a compilation of noise, metal and punk acts mainly from Japan. In this issue he takes apart Madonna (literally in drawing of course), on the “Garbage” compilation cover he gave her black eyes.

Also interviewed are Larry Buchanan, director of Z grade fare like “Mistress of the Apes” and “Creature of Destruction” for Roger Corman’s company. You also get big titted Kitten Natividad, who bore her chest for the classic dirty old man, Russ Meyer, in his movies, in the interview you find out that she was drifting towards doing hardcore porn (yeah I know you dirty perv, your searching for her name in pornhub, great minds think alike, after your done with um, whatever, come on back and cool down).

Brian Horrorwitz, who owns the awesome “Trash Palace” web site and sells very hard to find movies and other things and is in the psychobilly band, Ubangis, interviews horror punk band, Sic Kidz. Then we’re on to “Celluloid Void” where the movies of the day are reviewed, this issue came out in 1993 and there is a review on Quentin Tarantino’s “Reservoir Dogs” and the review is actually prophetic, this was before “Pulp Fiction”, and “Brutarian” is prophetic, especially from this end line in the article: “Tarantino does get to you and he makes the whole exercise look effortless. This may not be genius but it certainly is, at the very least, prodigious talent. His pending partnership as screen writer/producer with  John Woo promises to kick ass (did they end up doing a movie that I don’t know of?). Here’s hoping Hollywood wises up and starts throwing bagfuls of money at this guy.” Wow did they and depending on what your opinion of Tarantino is, that was good or bad thing.

Also “Basic Instinct”, “Army of Darkness”, Coppola’s “Dracula”, etc. to name movies and this is around when they were in theaters. Ozzy Fide reviews videos in the “Six Pack Theatre” section, to you kids out there VHS videos are bulky, black rectangular objects that played pictures, you could throw a VHS tape at somebody’s head and knock them out. He gives movie beer cans depending on how good they are. He reviews “Universal Soldier”, “Poison Ivy”, “Buffy the Vampire Slayer” (1992) etc. He shits on a lot of movies even if he likes them and its hilarious. “Brutarian” does book reviews in the “Brutarian Library” where various books that offend the common reader are reviewed, again “Brutarian” doesn’t disappoint or bore, the people who write the reviews make something interesting something you normally wouldn’t give attention to. Then we’re on to music with “Audio Deprivation” but “Brutarian” doesn’t limit its musical reviews to 1990’s alternative college radio rock and punk bands like a lot of zines did back in the day, nope they cover it all, metal, punk, garage, rockabilly etc. which endears me to “Brutarian”. Granted there was a lot of zines tailored to different people with different tastes in music and movies. “Brutarian” will review a death metal album in one column and a 1960’s revival garage band’s album in the next column.

The various contributors to this zine are a whose who of the underground, not only do you get comics by Mike Diana, Danny Hellman, Greg Fiering among others, you get other zine and underground writers contributing like Stately Wayne Manor, Greg Goodsell, Vic Stanley etc. “Brutarian” number 7, count me in!!!

Up next, right off the bat, you get a bat girl riding a missile saying on it “Bang Me Big Boy”. Again, “Brutarian #8” assaults your fragile, weak boy sensibilities. Its sexist and stupid and “Brutarian” doesn’t give one fuck what you think of it. 

First interview up, they let “The Mentors” mentally rape you and laugh in your face. El Duce, and Sickie Wifebeater do their interviews drunk, I mean, how else would they do a interview? Incoherent offense spews on every page, sneering and disdain for every wimpy crybaby in the world reading this interview will have the Millennial and Z crowd running for their Starbucks Soy Latte Safe Spaces. “The Mentors” are a homophobic, misogynist, perverted, sadistic, masochistic, drug addicted, alcoholic sleaze metal band that will literally make you eat their shit.


You get comics from J. Huddleston, Greg Suss, Pat Carroll, Steve Cerio, Tom Corllette, Mike Diana and Paul Revess. The obligatory “Audio Deprivation” section that takes music to the wood shed, Deicide’s “Amon: Feasting the Beast”, The New Bomb Turk’s “Destroy-O-Boy”, Geto Boys’ “Uncut Dope”, and Jerry Lee Lewis’ “Rockin’ My Life Away” are among the discs given a spanking along with “Swingin’ Singles” a column on singles and EPs. You get an article on the insane genius Joe Meek by Steve Jefferies, Joe did the infamous 1960’s instrumental “Telstar” among other pieces of music, Joe was Schizophrenic and thought he was from a different planet, he also thought his land lady was spying on him he ended up killing her with a stolen shot gun and then himself.

“Celluloid Void” is skinnier sadly but there is an article by the editor Don Salemi on Mario Bava flicks, Ozzy Fide drinks himself silly to videos with “Six Pack Theatre”, and “Brutarian Library” pulls underground books from the feces and encrusted sewer and flings them at you, there is a section on books on the “JFK assassination conspiracy” thing.

So if you can, get a hold of any old copies of “Brutarian” their out there on ebay and there is some back issues to read for free on just by searching. I tried to find out more stuff on this zine and I thought I’d find more than I did given that a lot of the issues had semi famous underground cartoonists and writers. I was a dead wrong, there is bare bones info on this thing. Even combing the publisher notes. This zine is very professionally done, more so than a lot of the zines that came out in the 1980s and 1990’s. “Brutarian” wallows in its own, low brow, lo fi filth. Nobody could get away with half of what is in these two issues if they tried publishing these today.

From what I can tell this zine was edited and published by Don Salemi out of Arlington, Virginia, the most unlikely place I would think something like “Brutarian” would come from, but you’d be surprised how many messed up zines came out of the south and heartland of America, in fact, the most repressed places have the more messed up zines. “Brutarian” is for the culture Brute in all of us, man or woman. While it is cool that people like myself can just publish a site or blog, I miss the heyday of the zines when the only way to put out your “blog” was to draw, write, type, print and xerox copies of your very personal zine. Don’t get me wrong, there is still some people who do it old school and to them I say “I am glad your keeping the true flame alive”.


White Noise on Paper: Your such a “Weirdo”! Underground Comix Magazine 1981-1993

When I was a youngster, I remember looking at the comics rack in our local liquor store, “George’s Liquor”. Old man George was a curmudgeonly old man who smoked a big cigar, this was before there was laws to ban indoor smoking. George’s store had two pieces, the back, separated by a huge black curtain had all the booze, and porno mags, the front of the store had all the soda, 5 cents to 25 cent candy, regular magazines and the comics. George would get annoyed at us and grunt “You kids just gonna stand there and read those picture books are you gonna buy summin’?” Was his common refrain, what George didn’t know was he threw all the comics in one section, the DC, the Marvel and the underground ones. As a kid I would gravitate towards the weirder comics, I still read the super hero ones but I was more interested in the “Conan the Barbarian” comics than the Superman and Spider-man comics, the “Conan” comics were pretty racy and as a young boy I felt funny looking at Conan laying on top of the scantly clad women in the issue. I promptly bought two issues before my mom caught me reading them and threw them away. One day, browsing the comics I came across a cover that was completely different from all the comics populating the rack, it said “Weirdo” and the cover was creepy, I picked it up, after thumbing through it I knew it was something my mom would throw away if I bought it and then recommend I see a psychiatrist. There was weird people having sex, indiscriminate violence and creepiness that sprang up and hit me between my nine year old eyes. I felt like it was something I shouldn’t be reading and through the years it sat in the back of my subconscious growing like a poisonous mushroom in the dark basement of my mind until it came full grown.

So after buying the “Zap Comix” box set, and reading the supplemental material the poisonous mushroom reared its ugly head in the basement. Robert Crumb, of “Fritz the Cat”, “Keep on Truckin'” fame founded “Zap” and invited his artist friends to make “Zap Comix”, the first underground comic to spurn on the movement, not the first underground comic but the one to spread independent comics to more widespread notoriety. Robert wanted to bring in more blood to “Zap” newer artists besides Spain, Robert Williams, S. Clay Wilson, Rick Griffin, Gilbert Shelton and Victor Moscoso. They put it to a vote and Robert got outvoted, undeterred, Robert decided he was gonna start another magazine featuring new up and comers, as well as the old masters of the underground comics called “Weirdo”. In fact most of the “Zap” crew would contribute to “Weirdo”.

“The whole idea for “Weirdo” magazine came to me in a flash in the fall of 1980. I was performing my daily meditation exercise one day when the vision of this kooky, screwball magazine erupted in all its tacky, low-life, dumb-ass essence, a style-mix of the old 1940’s and 1950’s girlie-and-cartoon ‘joke books,’ Harvey Kurtzman’s early MAD and Humbug, their sleazy imitator, and the self published ‘punk zines’ of the period. I got very excited. I became obsessed,” Crumb wrote.

Spain’s (from “Zap”) contribution among others in the 2nd issue of “Weirdo”
Robert Williams (from “Zap”) contribution to issue 7.
Crumb would reprint ads from the old men’s magazines. This being one of them in issue 2.

Crumb took his idea to Ron “Baba” Turner of “Last Gasp Eco Funny Comix” who’d published both Crumb and his wife before. Ron said Crumb had a deal if Crumb did the covers and had artwork in each issue which Crumb agreed to. Crumb’s covers mimicked the old “Humbug” and “MAD” magazine covers with small illustrations populating the borders. Crumb also had a lively letter section, most of the letters coming from artists who would go on to do more things in the future, people like Craig Yoe, etc., future filmmaker Terry Zwigoff, who would go on to do the “Crumb” documentary, “Ghost World”, “Bad Santa” etc. who was friends with the Crumbs took photos for the infamous fumettis for “Weirdo” hosted a love and relationship advice column that was humorous in the letters section.

Crumb was inspired by the “photo funnies” from the men’s magazines of the 1940’s and 1950’s, magazines like “Titter” and “Wink” not to mention the ones Kurtzman made for “Humbug”. 

Where Crumb got inspiration for the “photo funnies”. He featured this in issue 7.

The Italian magazines called them “fumetti” and they were really popular in Mexico but called “Fotonovelas”. Crumb put his own fetish like spin on it, his fumettis normally featured women with muscular legs and big asses, sometimes Crumb took the photos himself and sometimes he employed outside photographers but didn’t like how they turned out. Zwigoff was one who did some of the photography. These were widely unpopular with the “Weirdo” readership who wanted more comics, in fact, they were widely panned through out the letter’s section. Crumb didn’t care, until almost the end of his editorship he kept on featuring them, personally I think they added something different to an otherwise straight comic magazine, also some of the chicks Crumb picked are pretty hot.


Crumb also featured comics from people who weren’t practicing artists, people like prisoners, the insane and amateurs if he found the content interesting. One prisoner sent Crumb comics from his experiences in prison and Crumb put them in the magazine. Macedonio was a cartoonist who went to prison for assault. His work featured in issue 5.

Not to mention he put on the back cover of an issue a rambling, paranoid schizo screed from Francis E Dec, Dec was a disbarred lawyer who warned about the “Communist Computer God” he thought the CIA was always after him. Dec would send his ranting to random people whose addresses he found in the phone book and he would send them to heads of companies and the government. Crumb published this stuff along with the address to Dec’s house to get even more rants.

Francis Dec’s rant on the back of issue 8.

He would also re publish found pieces, 1950’s era post cards from a backwoods artist named Norman Pettingill whose cartoons featured insanity in numerous backwoods settings, forests, rough and tumble bars etc. He also reprinted cartoons from 1940’s-50’s era specialty magazines.

Norman Pettingill, Backwoods artist, retro post cards featured in issue 2.
Norman Pettingill post card from issue 2.
Reprints from the 1940’s jazz magazine “Record Collector” cartoons by future animator Gene Deitch, from issue 3.
Old humorist pieces from different eras, re-published in issue 5.
A re printing from the African American magazine “Hep” from the 1950’s in issue 6.

And comics from such obscure places as self published underground black newspapers. “A xerox of a xerox” from an elderly black man by the name of Eugene Teal that featured frogs in various, strange situations. Nobody else outside of Crumb would republish stuff so raw and illiterate. Stuff like this is what made Crumb’s editorship one of the best.

Eugene Teal’s “Frog funnies” from issue 3

B.N. Duncan headed “Teletimes” where he published poems, writings and drawings from the down and out and homeless of the Berkley area. Through him Crumb found some of the material that would be featured in “Weirdo”.

BN Duncan’s controversial comic in issue 1.

He featured work from the nutso, underground satire religion “Church of the Sub Genius” (Anybody want SLACK?! PRAISE BOB) whose messiah is con artist, insane, pipe smoking, salesman named J.R. “Bob Dobbs”. Some call them a cult and I agree because I know first hand. I am part of it, and so should you. WE ACCEPT HIM WE ACCEPT ONE OF US ONE OF US. FROP FOR ALL.

Church of the Sub Genius “religious” tract from issue 1.
Article on the Church of Sub Genius “Devival Meeting” by underground cartoonist Jay Kinney who is a fellow cult member. From issue 4.

“Weirdo” also lampooned and made fun of the then current pop culture of the time. Various artists attacked sacred cows like traditional Sunday comic strips, famous ads of the time and so called “good causes” that sent some people in a tizzy over in the letters section. Not only that, gender, sex, age, race etc. would be lampooned, again people in the letters section would get in a tizzy and if a lot of this stuff was published these days, the artist and the publisher would get “cancelled” and have their personal lives destroyed. But “Weirdo” was published when people could take a joke and realize what satire was.

Crumb’s back cover on issue 1 mocking the Calvin Klein Jeans ads of the day featuring a young Brooke Shields.
Ace Backwards comic strip mocking traditional Sunday strips.
Future “Ren and Stimpy” creator John Kricfalusi’s comic mocking “The Flintstones” made while working at Hanna Barbera, which he posted all around the office getting it yanked down. Bill Wray inked it and fellow cartoonist Jeff John sent it to “Weirdo”. Issue 9.
Tom Bertino’s comic satirizing racist stereotypes and attitudes. Tom Bertino went on to do animation and special effects for “Back to the Future” and “Terminator” among other things. He is one of the head guys at Industrial Light and Magic. This strip got a lot of hate letters from people who didn’t understand the satire, Crumb told them to fuck off. From issue 4.

Causing more controversy Crumb put insane/genius Stanislav Szukalski master sculptor and painter who also had a theory called “Zermatism”, he believed all communists, fascists, bullies, criminals and thugs are descended from yetis who raped humans after the Great Global Flood. He wrote thousands of pages on his theory and sculpted and painted based on it, of course, the problem was some of Szukalski’s theories lead to obvious racist ends. Crumb didn’t care about that, if a person was crazy and different enough their work got published in “Weirdo”. As well as pieces by Oisif Egaux “explaining” sexuality and control in a scattershot way.

Stanislav’s “Zermatism” biological theory in Weirdo issue 1.
Oisif Equax’s “essay” on sexuality and societal control. Issue 5.

During Crumb’s tenure the underground “Mini Comix” movement was alive and well and were appearing everywhere, Crumb promoted these in his magazine.

As well as promoting work from his street dwelling, slightly crazy younger brother Max.

Crumb’s brother Max’s gallery in issue 3.

The magazine featured a lot of artists that would go on to do bigger things, like John K. of “Ren and Stimpy” fame, Drew Friedman, Kaz (who went on to work for “Sponge Bob Square Pants), Daniel Clowes etc.

Jeff John, later animation supervisor at Hanna Barbera and future editor and chief of Guns n’ Ammo magazine. Weirdo issue 6.
Kaz, who went on to do his own weekly strip “Underworld” and then went on to work on “Sponge Bob Squarepants”.
Drew Friedman who has done numerous portraits and strips of older movie stars, TV stars and musicians.
Ace Backwards one pager. Issue 4.
From underground cartoonist Robert Armstrong’s sketchbook, issue 4.
Dori Seda’s first contribution to underground comics. “Bloods in Space” about gang bangers in outer space.
John Holmstrom of “Punk” magazine, Peter Bagge (who becomes the future editor of “Weirdo” and JD King (future famous illustrator) issue 3.
Elinore Norflus’ “Helen Hippo, the Trippy Hippy” Norflus got a lot of grief in the letters section for her artwork which was really rough but story wise she had it. Crumb would publish stuff like this all the time. From issue 7.

Apparently, any artist who appeared in “Weirdo” got 50 bucks a page. However, according to Crumb getting those checks was like squeezing water from a stone. Crumb claimed that he had to stand over publisher Ron Turner’s back to make sure Ron made out those checks and he claimed Ron would drag his feet, get distracted, order lunch and do other things. Robert would badger Ron until he got all those checks for the artist. However, Ron claims that it wasn’t that easy, that the names, Social Security numbers for tax purposes and other things had to be hashed out before a check was written and sent out. Whatever the case Robert got burned out in 1983 on being a editor for “Weirdo”, he was sick of dealing with artist’s and reader’s complaints and just wanted to draw. So he passed the torch to Peter Bagge of “Hate” and “Comical Funnies” fame, after submitting stuff Crumb straight up asked him if he wanted to take over “Weirdo”. At first Bagge didn’t think he was serious, but Robert insisted. Bagge was moving from New York to Seattle because his wife was co owning a deli business with her sister whose husband was a Seattle Seahawks football player. Peter Bagge was more punk rock, New York, than Crumb who was ex hippie and more into pre 1940’s music and from laid back Berkley. Bagge was considered the “smart ass” and brought along his smart ass friends from New York and Seattle to help put material in “Weirdo”. Starting with issue 10 Bagge came on ragin’. “Weirdo” was in good hands.

A zine from kids living in Dallas, Texas in the early 1930’s found my artist Mark Newgarden. Published in Issue 10.
Ed “Big Daddy” Roth gallery in issue 11.
More Ed “Big Daddy” Roth. Issue 11.
Ray Pettibon gallery. Issue 13.
Robert Williams painting gallery. Issue 13.
Illustrations of musical instruments from Arne. In Issue 13

There was also an “Ugly Madonna” art contest and as well as a “Ugly Art” contest where people submitted their ugliest art. A lot of the contributions came from future famous cartoonists and animators as well as underground cartoonists.

Ugly Madonna contest winners and runner ups. From issue 13.
Winners of the “Ugly Art” Contest. Issue 15.

As per his agreement with the publisher, Last Gasp, Crumb continued to do covers and comics, even though he wasn’t a editor. Some of his best work was during Bagge’s tenure as editor in my opinion.

Crumb does his comic version of “Pyschopathia Sexualis” by Kraft Ebbing. Issue 13.
Another page from Crumb’s interpretation of Kraft-Ebbing’s fetish classic. Issue 13.
Crumb does Philip K. Dick’s “religious revelation” in issue 17, some of his best work in my opinion.

Bagge’s tenure also brought about more biographical pieces, like Bagge’s experience as a kid dealing with an actual “Weirdo”. He also encouraged other cartoonists and letter writers to submit their experiences on dealing with actual rejects and they all complied. Another example is Bruce Carleton’s (Bruce did work for “Punk” and “Screw” magazine) illustrated diary of being in the Malay archipelago and his sexscapades.

Editor Bagge’s “The Reject” on his experiences dealing with a actual reject as a kid in school. Issue 10.
B. Carleton’s sexual journal of his stay in Malay. Issue 11.
B. Carleton’s sexual journal of his stay in Malay. (That rhymed!) Issue 11.


Various work got featured during Bagge’s tenure from his fellow School of Visual Arts peers. SVA had as teachers Will Eisner (The Spirit), Harvey Kurtzman (as mentioned “Humbug” and “Mad” magazine), and Art Spiegelman (of “Maus”, “RAW magazine” and “Garbage Pail Kids” fame, more about him later). As well as artist Rory Hayes whom artist Bill Griffith (Zippy the Pinhead) does a introduction for. There is something wrong with Rory’s comics, the man is deeply disturbed but he is also a genius, Rory died at 34 years old from a drug overdose when Crumb  published him in “Snatch Comics”, Janis Joplin (yes that one) came over and read Crumb the riot act Crumb wrote “She said “Look, I have to talk to you this is serious, you know I think you guys are making a big mistake putting this Rory Hayes guy in your comics. The rest of you guys are doing this kind of funny stuff about sex and all that, but this guy is just sick, he’s a psycho.” Some of the “Zap” crew returns, mainly Spain and S. Clay Wilson with his “Checkered Demon” character, Wilson’s “Checkered Demon” would drive this easily offended generation into the nuthouse.

Rory Hayes with an introduction comic by Bill Griffith, from issue 12.
J.D. King mocks perennial drunk, murdering senator Teddy “Chappy” Kennedy on the back of issue 14.
Mark Zingarelli in issue 16 Mark was a real prolific contributor to “Weirdo” during Bagge’s tenure.
Robert and Aline (The Bunch) Crumb’s collaboration, one of many they do throughout “Weirdo”s run.
Contribution from Kim Deitch, son of Gene who did cartoon work in the “Record Collector” which I posted. Issue 16.
Dennis Worden’s dirty and hilarious comic from issue 16.
S. Clay Wilson’s “Checkered Demon” makes one of his numerous reappearances in issue 17.

Bagge also being tight with the “Punk Magazine” crew republished some stuff from the than defunct magazine in “Weirdo”, again I love this reprinted material. It was one of the more interesting features of “Weirdo” exposing people to something they hadn’t read or seen yet.

Spread from John Holmstrom’s “Punk Magazine” from issue 16.

Bagge started getting “Weirdo” burn out like Crumb (he put “Weirdo” together on his kitchen table and would drive down to Berkley!) he got burned out dealing with pissy artists and apparently Ron Turner, the publisher didn’t think too much of Bagge. Bagge was wanting to just do his own art and wanted to do his own “Hate Comix” and “Neat Comix”. The reins went over to “The Bunch”, Aline Kominsky-Crumb, Robert’s wife who have previously got worked published in “Wimmen Comix”, “Power Pak”, “Twisted Sisters” etc. among other publications. She came on board on issue 18 in 1987. She was called “The Bunch” because Crumb had a a fussy, female character drawn like his future wife called “The Bunch” people called her that and it stuck. From the beginning of the magazine, the Crumb’s daughter, Sophie, had been born and living. Some of her art is in these issues, Aline’s issues lean more towards the biographical end of things, and depending on the story they can be interesting, hilarious or boring. Aline also brought to light more female artists, however, there was less found items and less galleries which were high lights for me. Aline’s run is my least favorite, it isn’t bad, I just like Crumb and Bagge’s insane editorship, Aline’s is more “professional” well, as professional as you can get editing a magazine like “Weirdo”. Bagge did a guest editorship on issue 25 while Aline had a holiday in France.

Justin Green does a autobiographical piece with illustrations. The autobiographical bent would be more prominent throughout the Bunch’s editorship. From issue 18.
Terry Zwigoff’s story on the Valmor company, a company that marketed products to black people. Terry talks of his obsession of collecting as much ads and labels from the defunct company as he can. Issue 18.
Robert Armstrong’s “Mickey Rat” character makes an appearance in issue 21.
A memorial for Dori Seda, who had done work for “Weirdo”, dying of complications of pneumonia and black lung. Harvey Pekar of “American Splendor” does a column, while I am a fan of Pekar, his column is a little up its ass and takes itself too seriously. Insisting comics shouldn’t be escapist and address serious matters. Issue 22.
Lisa Lee, a friend of Aline who she met in her aerobics class, reviews zines. Zines were a huge part of the 1980’s to 1990’s underground culture. Issue 23.
One of many of Ted Jouflas’ contributions to “Weirdo”. Issue 23.
Bill Griffith appears in issue 24, talking about his struggle of straddling the “straight” world of Sunday funnies with his “Zippy the Pin Head” strip and the “underground” comics world.
Robert Crumb’s parody of the then famous “Omaha The Cat Dancer” a comic Crumb admired. From issue 24.
A compilation illustration of different artists who did work for “Weirdo”. Colin Turner, son of publisher Ron, said George and Leonardo DiCaprio (yes that one) were over for Thanksgiving. Him and Leo being bored added their own strange contributions at the bottom of the illustration. From issue 24.
Bagge’s guest issue, him and Daniel Clowes of “Eight Ball”, “Ghost World” among others fame do a collaboration. Bagge writes and Clowes illustrates. Issue 25.

With issue 27 the Crumb’s were ready to hang it up, Aline wanted to really move to France. Winters, CA was getting over run with Mc Mansions, and Aline didn’t like her daughter using words like “duh” and they said “the Christian right were taking over the country” so they moved to France. They had a lot of money and bought a chateau Ron Turner was going to reprint all of the “Weirdo” issues and wanted the Crumb’s to do one more to promote the reprints. They obliged with the last issue, 28. The issue was an “International Issue” and the title was in French “Verre D’eau” which means “glass of water” they called it that because “Weirdo” phonetically to the french sounds close to “Verre D’eau”. On the cover was just as a lone glass of water. In my opinion “Weirdo” goes out not with a bang but a whimper. In my opinion this was the weakest issue, its still good and features art from not only America but Europe too. However, my problems aren’t with the art, its the message, when it comes to politics or religion I don’t like to be preached at. I admire when people can get their point across in a intelligent and original manner, even if I disagree with their point of view. Convince me, don’t yell in my face and yell in my face this issue does. I am not going to tell you where I line up politically, this blog isn’t about that and it is nobody’s business, hell, I might even agree with everything politically in this issue but think the execution is bad. Too much of this in the issue.

Charles Burns and Art Spiegelman do back page art for “Weirdo” which was really “weird” since Art and Robert had a friendly rivalry going. Art’s “Raw” was more artistic and European, “Weirdo” was more gutter and lower level American. In fact, Art said he thought “Weirdo” was trash. Apparently he thought Robert’s idea of releasing a phone book size “Weirdo” and publishing every submission he got was an interesting and new idea and thought he should’ve gone in that direction. From issue 27.
Spain’s contribution to the last issue, while Spain’s socialist criticisms of society in his previous comics were smart and didn’t hit you over the head. This time he used the hammer and I just rolled my eyes. Issue 28.

In the last issue there was a lot of controversy, especially with Crumb’s parodies of racist and anti-Semitic views and attitudes. Again he used satire to expose this but for a lot of stupid people it flew over their heads. In fact, a white nationalist zine called “Race and Reality” republished the two comics thinking them serious which shows how far it flew over their heads, that shouldn’t surprise anybody, any person who goose steps, wears a brown uniform and lives in their mother’s basement with no job isn’t too smart of a person. Art Spiegelman pointed out to Crumb how satire can be misinterpreted and he shouldn’t have ever published the comics. Crumb dismissed this and said it wasn’t his responsibility if some idiots took satire seriously and I agree, if everybody went around worried that some idiot was gonna take their creative work out of context and get some bad influence out of it nothing would be created. In my mind, that line of reasoning can be used to censor works and is a dangerous line of thinking, Spiegelman, a life long artist himself should know better. So Trigger Warning, if you get offended scroll down the page, kids this is what we call “SATIRE” its meant to shed light on something that is very dark in a humorous or over the top way, you’ve been warned.

A satire on racist attitudes. From issue 28.
A satire of anti-Semitic attitudes. Issue 28.

If you end up being convinced you need to dive into the cesspool that is “Weirdo” and come up smelling like shit, you should get the recently released “The Book of Weirdo” by Jon B. Cooke, Drew Friedman does the cover, the book goes into way more detail than I did in this post, the guy searches every nook and cranny of the “Weirdo” universe and anybody even tangentially connected to the magazine. Released by Last Gasp and highly recommended. So many artists were showcased in “Weirdo” that I left out, Savage Pencil, R.L. Crabb, Phoebe Gloeckner, Carel Moiseiwitsch etc. If you want a good picture of the underground culture of the 1980’s and early 1990’s there is no better place to look than “Weirdo”.

“The Book of Weirdo” by Jon B. Cooke released by Last Gasp. Cover by Drew Friedman.

So where do you become a “Weirdo”? Well, try looking on ebay or amazon, cheap physical copies are still available. I am one of those old crusty guys that prefers the physical copy but if your one of these young whippersnappers that like to see things on these new fangled thingamajigs you can go here:

And I highly recommend the book “The Book of Weirdo” after you peruse or read all the issues, it goes more in depth than I ever could. The book is very comprehensive and every person having anything to do with “Weirdo” is interviewed. Get it here:

Get Weird.